![]() ![]() ![]() Which means you need to level up your DAW chops and I totally recognize you might be a bit overwhelmed by all the options and all the strong opinions out there. However, if you’re like a lot of my clients and collaborators (mainly songwriters, vocalists, independent artists trying to grow their career), then you might find yourself on the cusp of diving head first into the world of music production. A tool whose effectiveness depends more on the person using it than on the specific software specs and features. At the end of the day, a digital audio workstation is a tool to help you fulfill the vision of your song. We’re music producers after all, not music software salespeople… right? I’d even go as far to say that anyone who is actively going out of their way to shit on other major DAWs is probably an amateur and likely not worth listening to. Time we could all be spending getting to know the one that is the most intuitive and more relevant to our own work. In fact, I think the entire “this DAW is SO MUCH BETTER than that DAW” kerfuffle and jabbing is a massive waste of time. Each of the major DAWs have evolved, and the software developers are so incestuious, to the point where it is exceptionally rare to be able to do one thing in a DAW and not be able to find a way to do that exact same thing in all the others. Let me first say that this whole debate over which DAW is *best*… It's pretty much pointless now. What’s with the long post? Can’t you just tell me what to buy? One of the most heated debates in the world of music production is that of the Digital Audio Workstation, or as some call it, the DAW wars. ![]()
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